“Expansiveness also characterizes Karasek’s collection. Among pieces that weave together seasonal references with the patina of memory are poems employing a Zen-like caesura. Such pieces recall a breathy confusion upon rediscovering a lost sensation or the staccato beat of a practiced scale. In “12 tones,” for example, the silence of the prairie is compared to an empty hall after the musicians have gone home. All that’s left is the discarded evidence of what was, “a barrelful of noise. discarded candy wrappers,” and sound, like pain, is referred: “narcissus hears only echo, / above the river. / the river shudders.” The aural imagery of Karasek’s poetry becomes a palette, as it were, of emotional landscape where silence fills in the gaps between awareness.”
The original review was published in Rattle in May 2010. Read the full version here.